Clone Cut: Remake a Viral Structure with Your Own Product

Pick a structure that already works, drop in your product, and get a clip that moves exactly like the original. No source footage needed — or bring your own. Free preview before a single credit moves.

Model
video
Click or drop a video here MP4, WEBM, MOV Duration range: 3S - 30S
image
Click or drop an image here JPG, JPEG, PNG or WEBP up to 30 MB
Prompt
650/5000
Video Sample
 

Start from

8 built-in structures, or your clip

Source clip

MP4 · MOV · 3–30 s · ≤200 MB

Resolution in

700–2160 px per side · 24–60 fps

References

1 image, up to 15 on Kling 4.0

What transfers

Action · camera · timing · beats

Output

720p / 1080p · 9:16, 16:9, 1:1

Pricing

1 credit/sec at 720p · 1.4 at 1080p

Our one-line verdict: structure is the part worth copying, and the part you're allowed to copy. Start from a template and the rights question disappears — bring your own clip and it's yours anyway.

A clip goes viral and the instinct is to make your own version. What actually made it work is almost never the subject — it's the structure: where the cut lands, how the camera moves, how long the beat holds before the reveal. That structure is reusable, and reusing it is ordinary creative practice; every agency in history has done it. The footage, on the other hand, belongs to whoever shot it. So clone cut works from one of two starting points: a built-in structure template that's ours to give you, or a clip you own. Either way you get a shot plan to approve before anything renders, and a free watermarked preview before any credit moves.

Step by step

Replace what's in the video in 3 steps

Say what to replace, and which actions, camera moves and timing must survive. That second half is the part most people skip, and it's the part that decides the result.

Upload your video

Drop in the clip you want to edit — or start from one of the examples if you don't have footage of your own.

Add a reference and instructions

Upload an image of what's going in, then write two lists: what to replace, and what must stay untouched.

See the cost, then generate

Check the shot plan and the credit quote before anything runs, then watch the full watermarked preview and export only when it holds.

Honest read

Where it works well — and where it struggles

The right column is half technical limits and half rules we've chosen. Knowing the failure modes before you upload saves more time than any guide.

Where it works well

  • • Templates remove the hardest input.

    Most people arrive without usable source footage. Eight built-in structures mean you can start with a product photo and nothing else — and the rights question never comes up.

  • • Structure survives, subject changes.

    Action, camera movement and beat placement carry over while the thing in frame becomes yours. That split is the whole product.

  • • A plan before the spend.

    You approve the shot plan — action, shots, camera, audio, what stays fixed — before anything renders. Two free gates before a credit moves, which is two more than most tools give you.

  • • Four engines, routed by job.

    Seedance 2.5 for soundtrack-driven pacing, Kling 4.0 when a full reference kit steers it, Kling O3 for locked identity across variants, Wan 2.7 for predictable deadline work.

Where it struggles

  • • Fine detail and identity drift.

    Motion and timing transfer reliably; fabric texture, small text and exact facial identity are where it slips. Other tools hedge this with 'aims to preserve' — the honest version is to check the preview at full size.

  • • Fast cuts and heavy motion.

    Whip pans, rapid cutting and subjects passing behind objects all degrade the swap. The templates above are chosen partly because they clone cleanly.

  • • Short sources only.

    3 to 30 seconds. Longer references get segmented, and segment boundaries are where continuity breaks.

  • • Other people's footage.

    Downloading a clip and republishing it with a swap isn't reusing a structure, it's reusing their work. Refused — and the templates exist precisely so you don't need to.

In practice

Who actually uses this

Three situations that account for most of what this page gets used for — and none of them involve chasing someone else's trend once.
Paid social teams

Ten variants from one structure

A creative that tests well, rebuilt with ten products or ten hooks. This is where the volume is — not chasing a trend once, but iterating on a shape that already converts.

E-commerce

Every SKU in the format that works

One structure, the whole catalogue. Motion and lighting stay consistent across products, which is what makes a listing page look designed rather than assembled.

Creators

Your own format, remade

The video of yours that did numbers, rebuilt with a new angle or a seasonal hook. Cloning your own back catalogue is the lowest-risk version of this and usually the most profitable.

Privacy and rules

Your footage, and our rules

This section is the product, not the fine print — on a tool like this the rules are most of what separates it from the ones that get taken down.

What happens to your uploads

  • • Deleted within 24 hours.

    Source clip, reference image and rendered output are removed from storage automatically.

  • • Not used for training.

    Your footage and images never enter a training set — ours or a partner's.

  • • Nothing published.

    No gallery, no featured results, nothing built out of material people uploaded.

  • • Templates are ours to give.

    The eight structures above were produced in-house for this purpose. Using them carries no third-party rights question, and the output is yours commercially.

What we won't process

  • • Someone else's footage.

    A clip downloaded from a platform isn't yours to edit and republish, whatever gets swapped into it. Use it as a structural reference, then start from a template or your own shoot.

  • • Real people who didn't agree.

    Replacing a person needs their consent, and the person being replaced has rights too. No public figures in either slot.

  • • Anyone under 18.

    In the source footage or the reference image, in any context, with no exceptions.

  • • Anything deceptive.

    Nothing built to pass as real footage of an event that didn't happen, no fake endorsements, nothing implying a person or brand said or did something they didn't.

Pick the right tool

Clone cut, a plain edit, or a face swap?

Six neighbouring jobs people arrive with. Find yours on the left and take the link — every tool below gives you the shot plan and the preview free.
Reuse a video structure with your own subject
Keeps the action, camera move and timing; swaps the product, person, background or text.
A soundtrack should drive the pacing
Thirty-second takes with a supplied track driving the cut and the lip-sync.
A whole reference kit steers it
Omni Reference takes 15 combined inputs — images, clips, subjects, voice — in one generation.
Ten variants that share one identity
Reference-locked identity plus conversational edits on finished clips.
Just remove or replace one object
Not reusing a structure — the general edit tool is cheaper and more precise.
Swap a face specifically
Face tracking is a different problem, with its own preview and consent rules.
FAQ

Questions, answered straight

1. What is clone cut?

Reusing a short video's structure — the action, the camera movement, the timing of the cuts — while replacing what's actually in frame: the person, product, object, background or text. You start from one of our built-in structure templates or your own clip, add a reference image, approve a shot plan, and get a version that moves like the original with your subject in it.

Related

Other tools worth a selfie

Video to Video

General restyling, object removal and extension on footage you have.

AI Video Editor

The hub for everything you can do to existing footage.

Text to Video

No structure in mind? Generate the whole thing from a prompt.